SELECTED SOLO EXHIBITIONS

2017: Everything Left but the Image, curated by Andranik Aroutiounian and Leonora Loeb, Opus Projects, New York, NY

2016: Square Foot| Nonplaces, NX2 Gallery, Berlin, Germany

The Impulse to Become,  Arts and Cultural Gallery, Alverno College, Milwaukee, WI

Perfectly Nowhere,  curated by David Wells, The Stream Gallery, Edgewood College, Madison, WI

2014: Urban Viscera,  Galerie Muellers, 17th Pro-Vinz Kunsttage, Quedlinburg, Germany

2013: Rebellion of Systems,  curated by Graeme Reid, Museum of Wisconsin Art, West Bend, Wisconsin

On White,  Opus Projects,  New York, NY

2012: Imprints, Rektoratsvilla, Hochschule Harz- University of Applied Sciences, Wernigerode, Germany

2011: Within Without, Schloss Museum, Quedlinburg, Germany

2009: Traces, Atlantic Gallery, New York, NY

2008: Spüren (Traces), Galerie im Kunsthof, Halberstadt, Germany

Nether Realm, Ploch Gallery, Wilson Center for the Arts, Brookfield, WI

2007: Pure Potentiality, Gallery Twenty Four, Brooklyn, NY

2006: Dead End, Watrous Gallery, Wisconsin Academy for Arts, Letters and Sciences, Overture Center for the Arts, Madison, WI

Nether Realm, Gallery Twenty Four, Brooklyn, NY

2005: Insanity Reigns, Gallery Twenty-Four, Berlin, Germany

And Now…?, DeRicci Gallery, Edgewood College, Madison, WI

Traumwelt (Dream World), Blasiikirche Cultural Center, Quedlinburg, Germany

2004: Insanity Reigns: Above and Below, Glas Museum, Quedlinburg, Germany

2003: Spies and Lies, Marstall des Kunst und Handwerkerhofes, Quedlinburg, Germany

Body of Evidence, Klopstock Museum, Quedlinburg, Germany

2002:  Evidence, The Ruth Davis Design Gallery, Madison, WI

 

SELECTED GROUP EXHIBITIONS

2016: The New York Big Apple Project, curated by the New York Boyer Foundation, Hudson Park New York Public Library, New York, NY;  Monuments, Vlassis Gallery, Photography Center of Thessaloniki, Greece; Windows to the World, Alexandrov Museum, Russia; Blue Planet: International Digital Art Project,  Biblioteca Civica A. Aonzo (Public Library a. Aonzo), Quiliano, Italy; Art Market Budapest, Annex Art St. Louis Gallery, Budapest, Hungary; Contemporary Photography: Eric Baillies and Laurel Lueders, The Stream Gallery at Edgewood College, Madison, WI;  Las Meninas, de Canido Project,  A Coruna, Spain; Opus Duae, curated by Anthony Caradonna, Opus Projects, New York, NY; 2015:  Black Hole,  Cabana dos Parodiantes, Salvaterrade Magos, Portugal; 2FWCAC 9 x 12 Works on Paper, Fort Worth Community Arts Center, Fort Worth, Texas;   2015: Postal, Art Mart, Fredericksburg, VA; Electron, curated by Rex Bruce, Los Angeles Center for Digital Art, Los Angeles, CA; The Circle, Alfred Gallery, Tel Aviv, Israel; Fashion and Shoes: Where Art and Fashion Connect People, Gallery Artidomas and Borovina Museum, Jaroměřice nad Rokytnou,
Czech Republic; Abstracts: The Alternate Eye, 1650 Gallery, Los Angeles, CA;    Disrupted Network, curated by Vittore Baroni, Skuc Gallery, Ljubljana, Slovenia; Meghivo, Belyeg Museum, Budapest, Hungary; Paradise, organized by Ugly Art Room, Poptart Gallery in participation with Corvallis Arts Walk, Corvallis, Oregon; Celestial Sunset, NARS Foundation, Brooklyn, NY;  2013: Session One, curated by Austin Thomas, Pocket Utopia Gallery, New York, NY; Proof, Highline Loft Gallery, New York, NY ; 2012: Wilson Center Retrospective, Ploch Gallery, Wilson Center for the Arts; Ladies and Gentlemen, curated by Maria Jose Duran Steinman and Vanessa Gil, The Tree Nomadic Art Initiative, New York, NY; 2011: Seductive Resolution, 3 Person Exhibition with Noah Landfield & Tatiana Istomina, curated by DTL Projects, 571 Projects Gallery, New York, NY; Digital Unity, Annex Art, Berlin, Germany; Urban Legend, curated by Leonora Loeb, Vaudeville Park, Brooklyn, NY; 32 Below, Convent at St. Cecilia, Brooklyn, NY; 2010: Plus One, curated by Dan Cameron, Perry Rubenstein Gallery, New York, NY; That’s Just It, curated by Stephen Maine, Visual Arts Gallery, New York, NY; Gemeinschaftsausstellung der Künstler im Verien Art Quitilinga, Blasiikirche Cultural Center, Quedlinburg, Germany; Between, curated by Richard Brooks, SVA Westside Gallery, New York, NY; Thanks…but it’s actually on purpose, curated by Augusto Arbizo, Visual Arts Gallery, New York, NY; 2009: 7Künstler & Freunde, Galerie 7Kunst, Quedlinburg, Germany; 2008: Visionen der Vergänglichkeit, two person exhibition with Martin Straka, Schlossmueum, Quedlinburg, Germany; Up Against The Two Wall, Two Wall Gallery, Seattle, WA, The Revolution Will Not Be Televised, Altered Esthetics, Minneapolis, MN; 2007: From Sham To Shame: A Woman’s Perspective on War and Politics, curated by Ann Berg & Marcia Grubb,Woman Made Gallery, Chicago, IL; Ars Combinatoria: The Art of Combination, University of Central Florida, School of Film and Digital Art, Orlando, FL; Playing For Keeps: Toys and their side effects, Atlantic Gallery, New York, NY; 2006: Biennale 3000 Sao Paulo, Ibirapuera Park, Sao Paulo, Brazil; Activism/ Patriotism, The Gallery at Barone Studios, Philadelphia, PA; Form-Art, Hamburg, Germany; The Art of Sin, Altered Esthetics Gallery, Minneapolis, MN; Art Quitilinga stellt sich vor, Presse Galerie, Kulturministerium des Landes Sachsen Anhalt, Magdeburg, Germany;  2005: Demise of Democracy, juried by Peter Clothier, Orange County Center for Contemporary Art, Santa Ana, CA; After Hiroshima: Nuclear Imaginaries, Brunei Gallery, University of London, UK; My World, Durham Art Centre, Durham Sixth Form College, Durham, England; 2004: Pro-Vinz Kunsttage, Palais Salfeldt, Quedlinburg, Germany; Doubletake, John Michael Kohler Arts Center, Sheboygan, WI; Cross Pollination, Overture Center for the Arts, Madison, WI

 

EDUCATION

MFA Fine Arts, School of Visual Arts, New York, NY, 2010

MS Design Studies, University of Wisconsin-Madison, 2002

BA Art History and Political Science, University of Wisconsin-Madison, 1998